Short Story Adjudication, Nov 17th, 2025

From left to right: Bob Hamilton, judge Mike Farren, and winner Alex Wakeman

The brief was quite open, a short story of up to 2,000 words, incorporating a feature from the landscape. There were 25 entries and, judging by those stories read out on the night, of a huge range of style and subject. Our professional judge, Mike Farren, seemed to thoroughly enjoy the task of picking the winning entries, saying that he loved, as a Bradford man, to get all judgy in Leeds! Just over twenty people attended, including many who hadn’t entered, clearly wanting to feast on the nerves.

Thanks Mike, for your time, and also to Alex Offer, for again running a great show on the night and doing some superb impromptu readings on behalf of a couple of members. Most importantly, congratulations to our winner, Alex Wakeman, who was able to take back home the cup he won last year. The rest of us are going to have to up our game to prise it away from him.

First: Alex WakemanThe Ocean Between Days

Second: Anna TurnerDeath Object

Third: Bob HamiltonThe Fifth Element

Highly Commended: Anita Rebecca Dowgill: The Fruit that Fell

Annavation Award: Rachael Thomas: Pendle

Honourable mentions:

Linda Fulton: The Shirley Bassey Tree

Susie Beever: Oyster Shells

Lou Harvey: The Ballad of Ynys Llanddwy

Summer Socials 2025

Ellie Adams organised two socials this August. The first event, an open mic night, was a great success, with about 20 members present to hear a typically wide variety of readings, with lots of time to chat in between and afterwards, quite late into the evening. The idea was to read a favourite passage or story or poem. For your interest, here is a list of who read what. Some ideas for future reading, perhaps?

Ellie Adams – an extract from The Thought Gang by Tibor Fischer

Emma Storr – short story extract (with lots of swearing) from Dark lies the Island by Kevin Barry

Chris Read – selected paragraphs from Dishonesty is the Second Best Policy by David Mitchell

Jaspreet Mander – poems: Sounds of the Day and Rag and Bone by Norman MacCaig

Bob Hamilton – short story: The Weight of Dunlins, by Colin Watts

Miriam Moss – a number of poems from Michael Rosen

Richard Wilcocks – poem: Campo dei Fiori by Czeslaw Milosz

Linda Fulton – flash fictions from My Mother was an Upright Piano by Tania Hershman

Graeme Hall – the finish to The Great Gatsby by F. Scott Fitzgerald

Susie Beever – extract from Orbital by Samantha Harvey

The second event was a quiz compiled by Francis Maietta, and was again a great success, with 5 teams of quiz goers who identified themselves as Alexander Dumas, So Long and Thanks for All the Quiz, The Old Vic Stalwarts, We’re Post Genre Anyway? and The Orwellians.

The winning team with a whopping 78 points out of 100 was The Old Vic Stalwarts (Sarah, Graeme, Lucie and Mark, pictured above, deep in consultation), who will each be taking home a £5 book voucher. It was a close second for The Orwellians who totalled 73 points. A huge thank you goes to Francis for creating such an enjoyable quiz and for being the evening’s quiz master. The teams of We’re Post Genre Anyway? and Thanks for All the Quiz possibly deserved prizes for their names alone.

Adjudication Night , Novel Extract Competition

From left to right: Lou Harvey, Mandy Sutter, Bob Hamilton, Gemma Irving Lees, Jason

Discussing the evening in the pub afterwards, no one could remember such a well-attended adjudication evening. We had to double-stack the circle in one corner to fit everyone in. The count came in at about 33 or 34 members. It was obvious from her feedback how impressed Mandy was with the entries and how much she enjoyed the whole process. We were well entertained and her advice was useful for everyone in attendance. In terms of an extract she ideally wanted the opening to a novel, or alternatively a chapter. Mandy reiterated the brief and said that she was looking specifically for those elements that will interest a reader and make them want to read on, since in a long narrative piece, this is the ‘first base’ we all need to achieve. She was looking for things like a portrayal of an interesting/unusual/hidden world, trustworthy line by line writing, making us want to find out what will happen to the character(s), humour, unusual viewpoint, interesting ideas, unusual/interesting setting. She also mentioned that it’s ultimately her subjective choice and none of the entrants should be disheartened by not getting a mention. The standard was very high, with little to choose between many of the pieces, which is why Mandy chose to also give honorary mentions to a number of people. Many of the issues she highlighted were easily fixed and only a matter of craft. She found herself astonished at the scope of the imagination and the variety on display across all the entries. There were 26 in total. 

Thanks due to Alex Offer for running a great show on the night and bringing us in exactly on time.

First: Bob Hamilton: A Portrait of Forgiveness

Equal Second: Gemma Irving-Lees: Picasso Among the Pigeons

Equal Second: Graeme Hall: The City of Wine & Wormwood

Highly Commended: Jason: The Valley of Death

Highly Commended: Lou Harvey: All the Disordered Tendencies

Annavation award: Jaspreet Mander

Honourable mentions:

Gill Osborne: Double
Pat Pickavance: The Children Who Lived in the Forest
Anthony Davies: Untitled
Chris Read: Death with a Smile

From left to right: Anthony Davies, Lou Harvey, Mandy Sutter, Bob Hamilton, Gemma Irving Lees, Pat Pickavance, Chris Read, Jason, Gill Osborne

In tribute to Joanna Bucktrout (1947-2025)

We’ve just lost one of our longest standing and most talented members. Joanna was a regular at Manuscript Meetings for as long as we can all remember, a quiet presence but always thoroughly engaged with whatever work was being read. Despite her recent illness and obvious frailty, she still tried to make it to the Circle whenever she could. She was a sparkly-eyed trooper for the written word.


From Gill Osborne:

I first met Joanna in January 2015 – my first manuscript meeting. She welcomed shy, nervous me with her gorgeous, bright smile and sandwiched me in-between her and Pat Belford, all warm and protected in the scary circle.

By the end of the evening, I had been recruited into the Womag group. I’d never written a short story for women’s magazines but there was no escape! Thank goodness I turned up. Cringing, yes. Embarrassed by my amateurish first attempt. But the bold, fair, honest, helpful, insightful and encouraging feedback from Joanna, Pat, Norah and Anne (later Jan, Linda, Suzanne), inspired me to keep trying.

What a family. What a home for a new writer. What a wonderful, shared love of writing. They helped me to grow. Baby steps: sit, crawl, toddle, run, and eventually jump for joy when I followed in their footsteps with publication in The People’s Friend. (Don’t scoff. It’s no mean feat, acceptance in the oldest women’s weekly in the country, established in 1870).

Despite being a regular attender for many years, Joanna rarely read on a Monday night. However, I’m honoured to have read much of her work. Many brilliant short stories, her first novel, ‘Bungalow Bill’, and a fair chunk of ‘Knickerbocker Gloria’, the sequel. Very sad that she didn’t get to finish it. I wish we knew the ending. We will have to guess. Jo was regularly placed in competitions, an expert with the fine brush strokes of sensory detail bringing her characters to life. An enviable imagination, turning her hand to all genres.

Womag was renamed Women’s Fiction when our writing for women’s magazines drifted. We were all writing novels. But it will always be Womag to me. Those meandering Saturdays in Pat’s cosy front room, Joanna in the chair, her egg timer piping up too soon. No rush. Always time to stray off the point, tell real-life, stranger than fiction stories. Time to laugh and cry together. Forever cherished memories.
Joanna, always brave, strong, positive, kind, supportive, funny, intelligent, well-read, talented. How I will miss you.


From Linda Fulton:

When I first met Joanna ten years ago on joining Leeds Writers Circle, she was immediately welcoming, soon inviting me to join what was then called Womag but eventually became The Women’s Fiction group. She led the group in an atmosphere of calm organisation, warmth, good humour and friendship and I always looked forward to our meetings.

Joanna had a literary writing style which seemed enviably effortless. After some publishing success with short stories for women’s magazines, she embarked on her first crime novel, Bungalow Bill. Set on the East Coast of Yorkshire in the 1930s, it narrated the exploits of an initially unintentional killer: a hapless, bungling young man called Timothy Onslow, misfit and loner. Only the landlady of a seaside guesthouse, reluctant psychic Phoebe, could intuit events and eventually lead the senior detective to the culprit.
Joanna’s characterisation immediately engaged, drew us into this suspenseful story. We were always eager for the next chapter which never disappointed. Since she had a real grasp of human nature, her characters were original, well-rounded and compelling, drawn with flair, empathy and understanding so that you believed in them, with all their flaws, motives and redemptive features. I remember the meeting when we confessed to feeling a little sorry for Timothy and didn’t “want him caught just yet”. 😊

Joanna had a talent for creating setting and time. Character voices, expressions, dialects, clothing and even meals were depicted with historical authenticity. Naturally we were delighted when she began a sequel called Knickerbocker Gloria. Protagonist Gloria had arrived in the same Yorkshire seaside town escaping a shady background in the East End of London and the clutches of an abusive lover. Searching for a new life, Gloria opened an ice-cream parlour and we willed this downtrodden woman on to entrepreneurial success. But cleverly, in true Joanna style, there was more to Knickerbocker Gloria than met the eye. Only Phoebe would pick up the uncanny vibes of what was really at the heart of Gloria’s story. Sadly, this wonderful novel remains unfinished.

Jo had her LWC competition successes over the years. In 2016 she was a awarded a Highly Commended in the speculative fiction competition, with The Spirit of Ymir. In the monologue competition in 2017, she won second prize with a subtle story narrated by an elderly woman who went on holiday to Spain but decided to stay there. The heart-wrenching twist came towards the end when the woman revealed her money had run out: she was homeless and living out of a supermarket trolley. When I told her how ‘wowed’ I was by it, she said simply, ‘Well I just read Talking Heads to see how the master did it.’ It was so like her to play down her own talent.

I am sure many members will remember Jo’s story Tunguska, narrated from the point of view of a wolf, which was placed second in the short story competition in 2020. (A later edit called Tungusta Meteorite 1908 won the Annavation award in 2022 on a different theme). Also in 2020, she won third prize in the poetry competition with Dating Game.

Joanna read aloud with a soft mesmerising quality and brought her character voices to life. I know she had belonged to a drama group and a short story study group, and was a regular member of the creative group Heydays at The Leeds Playhouse. She was always encouraging to other writers and at the Women’s fiction Group, she would mention the talents of new members of LWC who’d impressed her. And she remembered everyone’s name.

Joanna bore the last few years with great stoicism and courage, and after suddenly losing her husband Roy, she then faced her own recurring illness. Even during a difficult second round of treatment and feeling unwell, she supported Leeds Writers as often as she could with the help and kindness of Emma Storr transporting her to meetings. The last time I saw Joanna was at the poetry adjudication evening in March this year. We had a quick chat cut short when proceedings began. But it was so typical of Joanna that at the end of the meeting as members began to leave, she called me over to say: Linda, I really enjoyed your poem.

Thank you, Joanna, for your friendship, insightful feedback and encouragement to finish my own novel. We are so going to miss you.


From Suzanne McArdle:

Lovely Joanna, who has definitely been taken from us to soon. I wish I could hear more of the exploits of the wonderful characters from her post-war set novels – among them the psychic B and B owner involved with the local police inspector ,and Jo’s title character, Knickerbocker Gloria, proud ice cream purveyor, and a woman with a murky past which is about to catch up with her with murderous consequences. Jo could create such atmosphere on the page, and the Womag group were always keen for her next instalment.

Jo joined LWC about 20 years ago, just after I did, and quickly played a pivotal role within our then rather small organisation. Her warm personality and wry humour definitely helped to welcome in new members and played no small part in developing LWC into the thriving and lively group it is now.
When we moved to The Carriageworks Jo took on the responsibility of Carriageworks liaison, organising the room bookings. She had good knowledge of the theatre and its personnel since she was also involved in amateur dramatics there, so was a shoo-in for the role.

I was fortunate to be involved in the Womag group with Joanna and shared many car journeys with her to and from our meetings, where we would chat about writing, reading, and generally put the world to rights.

It was a shock when I discovered she was suffering from cancer, but she’s been so positive, making the most of her time over the past two years, enjoying holidays with her family, and getting together with writer friends when she could.

Her Womag friends were hoping to meet up with her soon, but will raise a cup of tea, or perhaps a knickerbocker glory, when we meet to remember her.


From Miriam Moss:

Jo was a wonderful kind person, an engaging and warm presence, that I will miss greatly. She was also an extremely talented writer. I have had the privilege of hearing her short stories in competitions and admired their sensitivity, skill and ability to draw readers into the worlds she created. Her entries were acclaimed by the judges and rightly so. I know too that she was an extremely talented novelist, who was at work on another novel prior to her passing. I am sure it would have been hugely entertaining. I send my condolences, support and strength to all those who knew her best, within the Circle but most importantly her immediate family, who will feel her loss most of all.


From Lucie Warrington:

Jo was a talented writer, a friendly face, and an ever positive voice in Leeds Writers Circle. I always looked forward to chatting with her at meetings, she encouraged and enthused about everyone’s projects. She will be greatly missed.


From Pat Pickavance:

Sharing a Writers Circle meeting with Jo was like having the sun come out. A lovely woman who radiated sympathetic intelligence and warmth, always ready with words of gentle encouragement for others, she was modest about her own considerable talent as a writer, and was (often!) deservedly successful in Circle competitions.

Towards the end of her life, she lost neither her facility for telling a good story (and keeping going with it) nor her appetite for seeking ways of improving. Her enduring curiosity about how to write better, despite her evident experience and wisdom, was an inspiration.

At the poetry adjudication back in March, rather tentatively I asked her how she was getting on with her novel. There was little time to talk, and she was visibly frail, but her pleasure in writer’s chat was undiminished. She smiled. Sunlight and humour played in her eyes as she confided, ‘Well, you know. One day at a time!’

Dear Jo, we shall miss her very much.


From Emma Storr:

Joanna was one of the first people I met when I joined Leeds Writers Circle over 10 years ago. She was immediately welcoming and warm, a quiet presence of hidden depths and very good company. She was very modest about her writing and did not often read her own work at the Manuscript evenings, which was a shame. When we did get to hear her work, her gentle sense of humour shone through.

We shared car journeys over many years and that was a good time to chat but of course I feel I wish I had got to know Joanna better and discovered more about her many talents. A highlight we shared last year was going to hear the crime writer Ian Rankin being interviewed at the Farsley Literature Festival, a thoroughly enjoyable occasion.

Over the last few years Joanna coped with illness and bereavement but always appeared positive and resilient. We will miss her a lot.

Don’t panic, the gavel’s in safe hands

Selso, the newly elected Chair, receives the gavel from Miriam, the outgoing Chair.

At a lively and entertaining AGM last night, which went the full distance to 9.30pm, Selso Xisto was elected to be the new Circle Chair, taking over after a three year stint from Miriam Moss, who steered our course through a tricky time post-Covid, leaving the Circle in excellent health. After receiving the gavel, in typically unconventional fashion, Selso offered us a heartfelt poem. He didn’t really need to apologise to the actual poets in the Circle! Most of those attending found their way to the pub afterwards and it was unanimously agreed that the Circle is indeed in safe hands.

The Circle

It’s just a hobby, it won’t pay the bills
You need a real job with marketable skills
Get your head down, chase that promotion
But… this isn’t the life I’d have chosen

I’m OK with being a weirdo, the only one in the room
whose mind is elsewhere, like a castle, a tomb
or a ship, a meadow, a nebula, or a plane
anywhere to escape the dull, the mundane

I’m used to the polite smile, the change of subject
I know you’re not interested in my little project
Imagine a world where everything I write
Is greeted with applause and smiles of delight

But that’s not how it works. You don’t care, that’s OK
No one wants to hear what I have to say 
So I scribbled my stories just for myself
Fantasised about seeing my book on that shelf

I could be ‘normal’. I could pretend
But inside, I’d be waiting for the smalltalk to end
Then one day, a Circle changed my life forever
A room full of weirdos, their minds full of treasure

You… want to hear my story? Do you really? Are you sure?
But it’s rubbish, it’s a first draft, I’m being premature
It’s alright. We understand. You’re not the only weirdo around here
Our characters are real to us too, we’ll lend you an ear

Pantsers and plotters, poems and prose
Novelists, doodlers, amateurs and pros
Semicolon or em-dash, bold or italic
Even brackets or an asterisk, though emoji are… problematic

I’ve found a planet where I can breathe without a mask
Brilliant, creative minds, happy to help if you ask
This Circle means more to me than my words can describe
My search is over. I have found my tribe

Successes since the beginning of 2024

Posting this at the end of March 2025, there are 15 months to catch up with since our last Successes post. Time flies. As we did in 2023, post-Covid, we put on a number of member-led workshops, all of which proved to be entertaining and very helpful to members. We are privileged as an organisation to have so much in-house talent and expertise to draw upon. Huge thanks to the following leaders involved.

March 2nd: USING SCRIVENER – Led by Selso Xisto
Nov 9th: HISTORICAL FICTION: FACTS AND FANTASY – Led by Sarah Dodd
Jan 11th: THE BEWILDERED WRITER’S GUIDE TO WORLDBUILDING – Led by Luc Biyard

Undoubtedly, the major success to report is the publication of Sarah Dodd’s The Cautious Traveller’s Guide to the Wastelands, by Weidenfeld & Nicolson, under her writing name of Sarah Brooks. At one point it was No.9 on the Sunday Times Bestsellers List for Hardback Fiction and one place ahead of Stephen King! Sarah’s novel has garnered some wonderful reviews. For newer members and anyone coming across this by chance, this one from the Guardian will give you a flavour.

Also, with the release of his latest novel, The Fairfax Redemption, Chris Shevlin has now topped lifetime sales of 100,000 on the Amazon platform. It’s a huge achievement and an inspiration for us all in that you don’t necessarily have to go down the traditional publishing route to achieve success—although it certainly helps to be as talented as Chris.

It took a bit of prising from Chris to discover that he was on the very short longlist for the Bath Novel Award for 2024, one of the most prestigious novel competitions around.

Quite a few of us in the Circle are plugging away at our unpublished novels, writing, editing, honing drafts, generally putting in the hard yards, any kind of success feeling like only a distant possibility. It’s lovely to be able to report then that three members have recently been recognised in separate novel competitions. Panni Loh is currently longlisted in a major one. Gemma Irving Lees was shortlisted for Picasso Among the Pigeons in the Farnham Literary Festival’s First Five Pages Competition. And Bob Hamilton was shortlisted for The Strange Talent of Madeleine Mallarkey in Retreat West’s Opening Chapter Competition.

On to short stories and it feels like it’s becoming harder and harder to get a piece published and out there into the world. That said, Stephanie Soper has had no less than seven short stories published in the Sayings of Life anthology by Spilt Ink. Panni Loh has had Chickens, Wolves and Lightning published in the Nightmare with a Twist anthology by Barrio Blues Press, as well as a flash fiction, Winter Solstice, published on Paragraph Planet. Mari Phillips has had three flash pieces published on Cafe Litlove you lots on 27 March, Number thirty-five on 30 April, and A Shoe Story on 20 August. Mari also had Obituary published on Paragraph Planet.

Members have had a couple of articles published in the year. Graeme Hall had a piece published in The Author—the house magazine of the Society of Authors—on Ageism in Publishing. Stepanie Soper had a half-page spread commissioned by the Phuket News, on how to be a writer. Also, Emma Storr continues to get published on The London Grip with a number of poetry reviews.

Moving on, then, to poetry, Emma was placed 2nd with On Seaham Beach in this year’s Molecules Unlimited Poetry Competition, judged by no less than Imtiaz Dharker. This was a poem previously offered for critique at a Circle meeting and tweaked accordingly. Emma also had three children’s poems published in the Dirigible Balloon, accompanied by some of Su Ryder‘s artwork. Richard Wilcocks had his ekphrastic poem, Newport Tip—inspired by a photo of Tish Murtha’s—published in The Fig Tree Webzine.

Finally, no less than six members had poems published in Chapel FM’s 2024 collection with the theme of Recovery—Ann Clarke with Sweetest Hangover, Ben Grunwell with A Fallen Writer’s Philosophy, Gail Mosley with Missing on the Remarkables, Jaspreet Mander with Worlds and Wardrobes, Marg Greenwood with Buoys will be Buoys, and Terry Buchan with Charity Shop.

In tribute to Pat Belford (1934 – 2024)

Pat photographed in March of 2023, when she was placed 3rd in the Poetry Competition.

Pat was chosen as People’s Friend Writer of the Week in April, 2020. Article here.


From Linda Fulton:

I met Pat the first time I attended a Leeds Writers Monday manuscript meeting in 2015. As a stranger amid a large circle of clearly talented writers, I wondered if I would fit in. Then, during the interval along came Pat with her invincible smile, warm welcome and immediate friendship. Now I was a member.

Pat’s name was familiar to me, but as she was modest in her achievements, it was a while before I realised I had several booklets at home with her name on the front. These were seasonal plays for young children, music by Leeds music teacher Jan Holdstock and libretto by Pat Belford. Pat told me that she and Jan had been long-standing friends. I can attest that their musical collaborations resulted in many delightful school productions, their scripts a first port-of-call for busy festively-harassed early-years teachers. I had also spotted her authorship of at least one children’s novel published by The Oxford Reading Tree. I was soon to find she was a regular contributor to the magazine ‘Peoples Friend’.

Pat’s writing was always life-affirming. As a reader you wanted to be in her settings, eating the delicious meals she described, anticipating what would happen next to her characters. She was generous, honest and helpful in her feedback to other writers, had a subtle humour and a sharp wit. When we could no longer use the Carriage Works for our Saturday women’s fiction group meetings, Pat welcomed us to her home where she was only too happy to wait on us with hot drinks and biscuits, putting up with our packed lunch crumbs. She was open to new ideas, recently enjoying a new app on her phone which automatically typed the group’s conversation and feedback to counter her hearing loss. Problems were meant to be solved.

I feel privileged to have known Pat over the last nine years. I’ll always remember her warmth, kindness, her pride in and love of her family, her indomitable spirit and stoicism in her final months as she faced illness. I treasure her friendship.


From Lucie Warrington:

Like many of us, I first met Pat the first time I attended a manuscript evening, in 2016. Her welcome was warm and kind, and she made me feel like I’d come to the right place. She welcomed me back the next few times I attended, always remembering my name and what I was working on. When I joined the committee in 2018 I was glad of her deep knowledge and passion for Leeds Writers Circle, later she was also a great support to me during my time as Chair. I will miss Pat, for her kindness but also her prolific writing, which always inspired me.


From Gill Osborne:

Short story writers beware: never turn your nose up at The People’s Friend. I was almost guilty, until I met Pat. We shared a passion for Jane Austen. No budding writer with any sense would turn their nose up at her. I was intrigued. There had to be something special about this women’s magazine? After all, my grandma subscribed to it and she was almost as well-read as Pat. Launched in 1869, the ‘Friend’ is the longest running women’s weekly in the world, publishing more fiction than any other. Our very own Pat Belford was a regular contributor. Believe me, it’s hard getting a story accepted by them. Their formula is tougher to nail than a Petrarchan sonnet. Thanks to Pat’s guidance, a few of us in the Womag group succeeded. I learnt valuable lessons along the way. Pat said, ‘Write for your reader. Don’t be self-indulgent. Be disciplined. Break your dialogue up with gestures and beats. Sprinkle just a little bit of description to bring your scene to life, like fairy dust. Careful not to get bogged down with backstory. Watch your tenses, Gill! You need the pluperfect there. (Err, okay, I didn’t dare ask, googled it). There’s a bit too much going on, you only need one simple idea, I’m not sure I’m seeing enough character development, that’s implicit, watch those adjectives, comma here, capital letter there… all delivered with that glorious, radiant smile!

I can’t thank Pat enough for welcoming shy, under-confident me into the warm arms of Womag ten years ago. For encouraging me, keeping me going. I will miss her dearly.


From Suzanne McArdle:

Pat was secretary of Leeds Writers Circle twenty years ago when I attended my very first meeting in the rather poky basement of a city centre pub. In the break she drew me into conversation, and was so warm and welcoming, that I was definitely going to come back for the next meeting. Formerly a teacher, she was very modest about her writing achievements, but I discovered that she’d written novels for schools published by Scholastic, and was still writing, and publishing, short stories for the People’s Friend.

Pat remained Secretary for quite some time and was an active member of the committee which secured the group’s place at the Carriageworks. She recalled times when Leeds Writers were moved on from various venues; you never knew when the pub or coffee shop would give notice. With a proper meeting room, it was hoped the group would survive and thrive. This is very much part of Pat’s legacy.

Pat also told stories of how the Circle was when she first joined – recalling ‘lots of old ladies in hats’, and a rather long queue to access the meeting room since no one was allowed in without paying their admission fee. Fortunately, things had loosened up by the early noughties.

I discovered that I lived quite close to Pat, and she became a friend. I’d pop round for coffee, and we often travelled in and out to LWC meetings on the bus.

When I moved away from Leeds there was no question that we’d keep in touch. She came and visited my new doer-upper home in York and, true writer and storyteller that she was, transformed the horror story of my home renovation into a rather lovely and heart-warming short story which was published by the People’s Friend.

Whenever I returned to Leeds for events, Pat’s ‘B and B’ room was always offered if she thought I’d have to set out very early. Often, I came and stayed just so I could spend time with this inspirational woman who had become a very dear friend. And she also got me back into the fold of Leeds Writers Circle when a spot came up in the Womag group and Pat very kindly wondered if I might like to join.


From Su Ryder:

I always looked forward to hearing a reading from Pat. There was a delicious, restful quality to her voice, and a gentle strength to her personality. The whole Circle would sit in charmed, respectful quiet, under the spell of her storytelling. She was always kind, encouraging and supportive of other writers, and had that air of a good teacher, the kind you will always remember with affection, long after leaving school. It is difficult to imagine LWC without her. Dear Pat, this life story may now be at its close, but you will be remembered always at Leeds Writers Circle.


From Roz Kendall:

Some seven years ago, as a new member of Leeds Writers’ Circle, Pat helped me when I joined the WOMAG group. She provided invaluable advice on topics and content, along with knowledge of possible publishing opportunities to all the lady members. Her gentle insightful writing style gave pleasure to those who heard her read. With her guidance I felt confident enough to contribute to Manuscript Evenings too. In more recent years she opened up her home for regular group meetings, always willing to serve refreshments with care and humour. I have much to thank Pat for.


From Joanna Bucktrout:

Like just about everyone else, I met Pat when I went to my first evening at Writers Circle. She greeted me and made me feel welcome and keen to join the group. We became immediate friends. After a while, Pat, Norah, Ann and myself formed a subgroup and christened it Womag – short for ‘womens magazines’ – as Pat had had much success writing for them, particularly People’s Friend. She also had considerable success with her books for primary school children over the years and told me recently she had sold the rights to one of her most popular to China.

She had a writing style and a view on life that was completely her own. It reflected herself: family oriented, optimistic and kind, and all expressed in elegant prose. And she was a great source of help for new writers.

Our magic word was Swanwick. We and others from Writers Circle attended the writer’s summer school in Derbyshire for several years, and had the best times! Needless to say, everyone there knew her, either as a teacher or a friend.

Finally, her stoicism and bravery in the face of her illness was a lesson to all. I will miss her.


From Pat Pickavance:

So many of us share this first-time memory of a woman extending a welcome and a lovely open smile. You could arrive trembling in your boots or cold with dread, but to encounter Pat was to feel the sun come out from behind the darkest of clouds. She inspired a sense of belonging. We miss her integrity, her grace, her willingness to take on and participate fully in whatever came her way. But above all her warmth.

Successes in 2023

We resumed running workshops following the Covid break, using resources available from within the membership. All four were very well attended and declared to be a great success.

April 1st : WHOSE STORY IS IT ANYWAY? –  Led by Linda Fulton and Pat Pickavance.

April 29th: SEEING AND SENSING A STORY – Led by Bob Hamilton and Emma Storr

May 20th: AN INTRODUCTION TO PUBLISHING & PITCHING – Led by Sunyi Dean

Nov 18th: PATHWAYS TO PUBLICATION – Led by Pat Young

Pat Belford had a short story, Happy to Chat, accepted by The People’s Friend.

Terry Buchan had a flash fiction piece, Missing bits, published in the Missing Anthology from ChapelFM.

Ann Clarke also had a piece of flash fiction, Playing the Game, published in the Missing Anthology from ChapelFM.

Sarah Dodd has her long-in-the-planning, much-awaited, highly-anticipated debut novel, The Cautious Traveller’s Guide to The Wastelands, available for pre-order. It will be published in the UK by W&N in June of 2024. 

Stuart Fortey was shortlisted for the prestigious Liverpool Poetry Prize.

Linda Fulton had a version of her short story Kip’s Wake shortlisted for Northern Gravy.

Roz Kendall was longlisted for Northern Gravy’s latest periodical with her short story, The Informant.

Marg Greenwood had her poem, Our Last Walk, published in the Missing Anthology from ChapelFM.

Bob Hamilton was shortlisted for Retreat West’s Opening Lines competition – for the first 350 words of a novel. 

Panni Loh had her short story, River Jiang Excursion, published in the anthology Journeys III: Over the Waters.

Gail Mosley had her poem, Gone, published in the Missing Anthology from ChapelFM.

Mari Phillips has had a wonderfully successful time with her short-form work. She had two pieces of flash fiction published by the Casket of Fictional Delights (thecasket.co.uk): Blossom in January and Summer Frock in August. Cafe Lit (cafelitmagazine.uk) also published two of her pieces: Memories of An Old-fashioned Corner Shop in March and Christmas Crumbs on the last day of the year. Lies (published by Cafe Lit in November 2022) was selected for the Best of Cafe Lit 12, an anthology, published in July. Another Performance was published on the 50-Words Stories website (fiftywordstories.com) in November, from an idea generated at the Leeds Writers Workshop run by Pat and Linda in April.

Su Ryder launched her debut poetry pamphlet, Rosa Brigante, published by Yaffle’s Nest, at the Chemic Tavern in December, giving the Circle credit for having helped start her on her journey to becoming a published poet. She also had searching THE mirror FOR missing things published in the Missing Anthology from ChapelFM.

Emma Storr had a busy year, seeing the launch of her first full poetry collection, A Year of Two Winters, published by Indigo Dreams in July, with a launch event at the Chemic Tavern. She had one of her poems performed at the Leeds Lieder Festival. She also had a poem, Ashes, published in the Missing Anthology.

Richard Wilcocks had three poems published in Dreich magazine (At the flicks 1917, Beryllium and In Nunhead Necropolis). All three were presented at LWC meetings last year. He also had a poem performed at the Leeds Lieder Festival.

New Year Celebration 2023

To celebrate the start of a new year and the return (post Covid) to a full schedule of Circle events with competitions and workshops, it’s time for a quick round-up of members’ successes in the second half of last year. 

Linda Fulton had her short story Red Wall (read at the Circle over two Manuscript evenings) reach the short list for the sixth edition of Northern Gravy. She was also longlisted for the Aurora prize for short fiction.

Stuart Fortey had his story The Coachman’s Tale shortlisted for the Historical Writers Association Dorothy Dunnett Short Story Prize for 2022 and appears in its anthology, available from Amazon here, at the remarkable price of just £2.99 for a print copy.

Su Ryder had two poems accepted for inclusion in separate anthologies, one with a Bronte theme, the other themed on birth.

Richard Wilcocks had a piece of short fiction accepted for Leeds Trinity University’s latest Wordspace Anthology

Mari Phillips had her short fiction piece Lies published online by Cafe Lit Magazine here, and also a piece with Paragraph Planet in November, an interesting platform where all submissions have to be of exactly 75 words.

Emma Storr has been enjoying further considerable success with her poetry, winning the Geoff Stevens Memorial poetry prize—meaning that Indigo Dreams will publish a full collection of her poems this year—and also getting her poem Tasting Notes included in an upcoming ‘Ten Poems’ anthology from Candlestick Press. Look out for Ten Poems About Wine.

Last but very far from least, Sunyi Dean has enjoyed worldwide success with the publication of her novel The Book Eaters. It’s been a long road to publication and, as followers of her blog know, Sunyi has always been willing to share her experiences and what she’s learnt along the way. She’s lined up to run a workshop in the spring to offer members some insight into the whole daunting business of finding a publisher.

This correspondent loved the book but would be hard pushed to summarise what is an astonishing feat of the imagination. This Guardian review does a pretty good job. Kudos, Sunyi. Your success has been hard-won and is thoroughly deserved. You’re an inspiration to us all. 

Early Summer Summation

The first half of this year has seen three members get themselves into print, albeit two of them with the one book, and another secure a major publishing deal. We also have a few competition wins to announce.

Bob Hamilton and Emma Storr had Offcumdens published in April by Fair Acre Press, with a launch at The Leeds Library. Quite a few members came along that evening but if anyone wants to see Bob and Emma being interviewed by James Nash, that event can be viewed on YouTube here. A few articles and reviews have also appeared, in the Yorkshire Post, the Yorkshire News, Hello Yorkshire, Living North, and London Grip. So much to read there that there’s nothing more to be said here, other than to mention that the book got shortlisted for the Best Collaborative Work in the Saboteur Awards, in no small part due to the votes of Circle members and the thriving literary community centred upon Leeds, who won the award for Best Literature Festival.

Marg Greenwood has had her wonderful memoir Return to Muck published by Troubador. It tells of her experiences as a solo, older woman traveller in some lesser-known Scottish islands in the Inner and Outer Hebrides. Huge congratulations are due to Marg for bringing this long-running passion of hers to fruition.

Stephanie Soper (writing as Stephanie Thornton) won the Thriller Category in the Farnham Fiction Awards for The Watcher in the Woods.

Emma Storr was longlisted for the Fish Poetry Prize before winning the Sonnet Prize in the Ware Poetry Competition, for Devotee.

John Biglands has had his story The House by the Woods accepted for publication in Existere – Journal of Arts and Literature, to appear in edition 41.2. He was also shortlisted for the LoveReading very short story award with Charlie.

Finally, the most exciting news of all is that Sarah Dodd (writing as Sarah Brooks), after winning the Lucy Cavendish Prize in 2019 for her novel The Cautious Traveller’s Guide to the Wastelands, has secured a major deal for the book to be published in the summer of 2024 by Weidenfeld & Nicholson, the winners of a reportedly fierce 11-way auction for the UK and Commonwealth rights (excluding Canada). The Trade Magazine The Bookseller reports publishing director Federico Andornino saying that W&N left no stone unturned in landing Brooks’ novel, and that he was reminded of encountering David Mitchell’s novels for the first time, suggesting it’s going to be—quite literally—the ride of a lifetime. The seeds of the novel came from an “unforgettable” journey that Sarah made on the Trans-Siberian Express two decades ago.

Sarah has also got deals for the North American rights and translation rights around a number of European territories. It’s set to be quite an adventure, indeed the ride of a lifetime, for both her and all her future readers. Huge congratulations, Sarah. We at the Circle all know how well deserved is your success. You give us all great inspiration.